610LP

£8,400.00
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Phono Pre-Amplifier

Creating the MOON 610LP is artwork of engineering. Since one of MOON team's strengths is “Research & Development”, they have the ability to create a reference grade product and then, a short time later, offer a more accessible model which encapsulates most of the technology and performance of the reference. The MOON 610LP is a purist design heavily based on the reference grade, range topping, MOON 810LP. Featuring a dual-mono, fully balanced differential circuit layout and an incredible level of input optimisation for any cartridge. 

The audio performance of this unit must be heard to be believed. The challenge is to make sure the rest of your sytem is up to the job of partnering with such an incredible phono amplifier.


Standard
finishes:

  • Black

  • Two Tone

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Design features

  • Power supply voltage regulation includes i 2 DCf (Independent Inductive DC Filtering); 1 inductor for each and every IC in the audio circuit’s signal path – 24 stages in all.

  • 64 impedance loading settings from 12.1Ω to 47kΩ.

  • 16 capacitance loading settings from 0pF to 1120pF.

  • 16 gain level settings from 40dB to 70dB.

  • Selectable equalization curves for RIAA and IEC standards.

  • Fully compatible with 820S external power supply.

  • Customized parts include metallized polypropylene film capacitors with very tight tolerances of 1%.

Brochure

User manual

Warranty

10-year warranty

Specifications

  • Inputs (XLR / RCA): 1 pair / 1 pair

  • S/N Ratio (full scale @40dB gain): 112dBr

  • S/N Ratio (full scale @70dB gain): 93dBr

  • IEC Curve Effect: -7dB @ 10Hz

  • Frequency response: 20Hz - 20kHz ±0.1dB

  • Crosstalk @ 1kHz: -106dB

  • Output impedance: 50Ω

  • THD (20Hz - 20kHz): 0.001%

  • Intermodulation distortion: 0.002%

  • Input overload @40dB gain (XLR / RCA): 200V RMS / 100V RMS

  • Input overload @70dB gain (XLR / RCA): 5mV RMS / 2.5mV RMS

Manufacturer

Manufacturer

 
 
 

Even the most delicate pieces of classical music, the noise floor is always in the recording, with tape hiss from the master coming through, not the electronics. Personally, this is one of the true benefits of a great solidstate phonostage — the absence of noise.

 

Jeff Dorgay, TONEAudio